Heavenly Seas (2015) - Paris Review (an obscure magazine that Frank Santoro hates, sometimes publishes short fiction?)Īfter Nothing Comics (2016) - Koyama Press Impressions (2014) - Peradam Press ("a publishing group specializing in small-run artist books" the first example of Koch finding her way to an artist book publisher that doesn't seem to have published any other comics even if some of their other books might fit a broader "images and words read in sequence" definition) The Blonde Woman (2012) - originally self-published as one of the last Xeric recipients, then republished by Space Face Booksįield Studies (2012) - Floating World Comics Including only the work Koch lists under the "Publications" section of her CV (so excluding early minis but also a few collections of drawings, etc). Then of course she's been published by many publishers familiar to folks on this forum. Koch's unique position with a foot in both the arts and comics worlds means she's been published by multiple publishers that, as best I can tell, have published few or no other comics. I'll get to that (I like it but didn't love it, still ruminating, pulled out some older work to see how it compared) but I found myself on a tangent digging into her publishing history so I thought I'd share. This was originally going to be a post on some existing thread, about my feelings on Koch's recent Stone Blue Sky.
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